In New South Wales, during the Depression, the Government Savings Bank was amalgamated with the Commonwealth Bank.
For Leeton, in rural NSW, this meant that their 1921 Government Savings Bank by Sydney architects Ross & Rowe became a branch of the Commonwealth Bank. That was in December 1931 and by the end of the decade the new owners had made some alterations in Art Deco style. There have been more changes since then it remains a very stylish building.Reference:
Leeton ~ Yanco ~ Whitton - Heritage Trails booklet, Leeton Shire Council, 2011
(Available for free download from www.leetontourism.com.au/art-deco.html)
Monday, May 30, 2011
Sunday, May 29, 2011
Service Station, Yenda
Saturday, May 28, 2011
255 & 265 10th Street, San Francisco
The nearer, number 255, has been painted to bring out the Art Deco details and while I have to admit it was the colours that confirmed that this was the next stop on my walk, I think I prefer Number 265, the unpainted twin next door.
Reference:
Deco by the Bay: Art Deco Architecture in the San Francisco Bay Area
Friday, May 27, 2011
Apartments, Euclid Avenue, Miami
I think the red colour fits very well with this particular building because it is different in style to many Miami buildings. Simplier and modernist in style with a large expanse of raw brick.
And next door for comparison we have a more typical Miami apartment block painted in typical Miami shades.
Wednesday, May 25, 2011
Education Building, Redeemer Lutheran Church, Bartlesville
The trip to Bartlesville during the Tulsa World Congress in 2001 included a quick stop at the Redeemer Lutheran Church to see the Education Building dating from 1959 and designed by Bruce Goff.
I wouldn't call it deco but I did find the combination of chunks of glass interspersed with the irregular blocks of stone forming the rest of the wall.
Even the windows are set in the wall as diamonds as if to further enhance the crystaline feeling to the building.At the corners of the building the glass takes over from the stone creating these point. I can't decide if they are futuristic or prehistoric. It is certainly very organic.
Monday, May 23, 2011
Rose Court, Sea Point
This is Rose Court in Avenue St Denis. Again it has squared-off open balconies atthe corners of the building with deep concrete eyebrows to provide lots of shade.
The entrance is marked by two vertical fins. They rise above the name of the building spelt out in metal letters above the door either side of a series of small square windows providing light for the stairwell.
Sunday, May 22, 2011
Bordeaux Court, Sea Point
From memory (and the other photos I have), Bordeaux Court is symetrical with squared-off stepped back sections either side of this central cureved area. The balconies at the corner of the building are open with those on the top shaded by deep concrete eyebrows.
Wednesday, May 18, 2011
Monday, May 16, 2011
A House in Hamilton
The other feature that I really like is on the curved section of the house. The brickwork at the roof line is castellated incorporating small sections railings in the gaps. It is an unusual feature and I imagine purely decorative since the parapet is not high enough for a roof terrace. Interesting!
Sunday, May 15, 2011
Ebrahim Court, Durban
I really like the strong horizontal feel emanating from the banding at the roof line. Four and a half shops wide and only two tall helps as well.
And while the Art Deco decorative piece breaking the horizontal is good but the star-shaped element above the door is wonderful.
Saturday, May 14, 2011
Entrance, Graybar Building, NYC
This is the third and final of my posts on the entrances to the Graybar Building along Lexington Avenue. This entrance is in the centre of the building and, I suppose, as the main entrance to the building it is different to the other two entrances.
Firstly there is a flagpole sitting on an extrodinary black, gold and red support with a stylised eagle at the base of the flagstaff. The whole thing really stands out against the gray background of the building.
This entrance is also flanked by two figures but while the figures on the other entrances look like gods or kings, these figures appear to represent the ordinary man. Again, like the other figures, they are richly detailled and each is holding an object but in this case we see modern objects.One man is holding a telephone.The other, a truck.
It is also interesting to note that each figure is holding something in their other hand which could be a lantern and these in turn are used to disguise the anchor points for chains that connect to the actual lights either side of the door. A nice way to hide some structural aspects of the decoration.
Firstly there is a flagpole sitting on an extrodinary black, gold and red support with a stylised eagle at the base of the flagstaff. The whole thing really stands out against the gray background of the building.
This entrance is also flanked by two figures but while the figures on the other entrances look like gods or kings, these figures appear to represent the ordinary man. Again, like the other figures, they are richly detailled and each is holding an object but in this case we see modern objects.One man is holding a telephone.The other, a truck.
It is also interesting to note that each figure is holding something in their other hand which could be a lantern and these in turn are used to disguise the anchor points for chains that connect to the actual lights either side of the door. A nice way to hide some structural aspects of the decoration.
Wednesday, May 11, 2011
Equinox Entrance, Graybar Building, NYC
This is the second of the three entrances to the Graybar Building in Lexington Avenue, NYC. You'll notice it is very similar to the Grand Central Terminal entrance with the two Ayssrianlike figures. Again each of the figures is holding something. The figure on the left is holding a bird and the one on the right is holding fire.On Friday I'll post photos of the Graybar's third entrance.
Monday, May 9, 2011
Grand Central Terminal Entrance, Graybar Building, NYC
Quite some time ago I posted a photo of the Art Deco rats on the Graybar Building, NYC.
This is what the whole entrance looks like. You can see the rats crawling up the supports of the canopy over the doors. But also have a look at the heads of various creatures holding the rods for the rest of the canopy and then much higher up two figures, one on each side of the entrance.
Those figures are wonderfully detailled and look a bit Assyrian to me. The one on the left is clutching a globe.
This is what the whole entrance looks like. You can see the rats crawling up the supports of the canopy over the doors. But also have a look at the heads of various creatures holding the rods for the rest of the canopy and then much higher up two figures, one on each side of the entrance.
Those figures are wonderfully detailled and look a bit Assyrian to me. The one on the left is clutching a globe.
The other one is holding a sea creature.
This entrance, leading to Grand Central Terminal, is one of three along this facade of the Graybar Building. I'll show you the other two over the rest of the week.Sunday, May 8, 2011
The Chalet, Hamilton
Hamilton - Art Deco & Modernism, Diane Luhrs & Linley Bramall, 2011
Saturday, May 7, 2011
RSL, Seymour
At first I thought it was a typical modernist arrangement of rectangular blocks but, as is usually the case, closer inspection reveals a more complex story. There is the use of different coloured bricks creating a dark base for the small entrance foyer and that section of the hall that leads directly off it. A horizontal band runs from the top of that base around the rest of the building. A second band then runs around the whole building at a height just above the door.
Then, strangely perhaps, there is a pure Art Deco feature on the skyline. I don't understand why there is a gap in the element. Perhaps there was something in that gap that has since been removed.
Friday, May 6, 2011
Salvation Army Family Store, Leeton
This is 33 Pine Avenue. It was designed by George W A Welch, who seems to have designed a lot of the Art Deco buildings in Leeton. It was built 1935-36.
Obviously the main feature is the stepped roofline and the fin in the centre of the building but the stepping of the verandah at the entrance is unusual. I haven't seen it anywhere else.Here is Robin Grow from the Art Deco & Modernist Society making that exact point. You can make out the people on the Art Deco walk reflected in the windows. At least I think that is what he was telling them. I was in the middle of the road taking photos.Reference:
Art Deco Walking Tour Booklet, Leeton Art Deco Festival, April 1-3 2011, Prepared by Robin Grow, President, Art Deco and Modernism Society
Wednesday, May 4, 2011
The Murrumbidgee Irrigator, Leeton
A series of leadlight window just like this one are tucked in under the verandah 103-107 Pine Avenue, Leeton.
Leeton was first developed as part of the Murrumbidgee Irrigation Area or the MIA in the early part of the 20th Century so many of the buildings date from that period and many have Art Deco features.
103-107 Pine Avenue was built in 1928 for the local newspaper and it still occupies No 107.
And I think it has one of the best names for a newspaper that I have ever heard ... The Murrumbidgee Irrigator.Reference:
Art Deco Walking Tour Booklet, Leeton Art Deco Festival, April 1-3 2011, Prepared by Robin Grow, President, Art Deco and Modernism Society
Leeton was first developed as part of the Murrumbidgee Irrigation Area or the MIA in the early part of the 20th Century so many of the buildings date from that period and many have Art Deco features.
103-107 Pine Avenue was built in 1928 for the local newspaper and it still occupies No 107.
And I think it has one of the best names for a newspaper that I have ever heard ... The Murrumbidgee Irrigator.Reference:
Art Deco Walking Tour Booklet, Leeton Art Deco Festival, April 1-3 2011, Prepared by Robin Grow, President, Art Deco and Modernism Society
Monday, May 2, 2011
A House in Hamilton
A weatherboard house in Hamilton, Victoria with great deco porch and a lovely, mature, garden. Number 17, I believe.
Sunday, May 1, 2011
Danger - High Tension - Melbourne
Just to prove that I do take photos of things other than buildings I present thi old sign on a telegraph pole warning of the danger of high tension wires.
When I first saw the sign I thought it was a futuristic 'S' shape but closer inspection revealed it was an impression created by sections of the red enamel having been chipped away over time.
In a way, I think that make it more interesting.
When I first saw the sign I thought it was a futuristic 'S' shape but closer inspection revealed it was an impression created by sections of the red enamel having been chipped away over time.
In a way, I think that make it more interesting.