Saturday, April 18, 2009
Firstly, the chequerboard pattern above the second storey window and down through the small vertical windows to the concrete planter at ground level.
Next to the main windows an incredible number of horizontal lines, I'm not sure of they are speeding or not but they certainly exceed the rule of three.
Those window don't actually cut into the corner of the building as there is a supporting column there but the deep eyebrow providing shade creates the illusion that the window is set back into the building.
Lastly the corner furthest from our view behind the palm tree is curves and at the roofline there is three small portholes.